Founded in through the signing of the ROM Act in the Ontario Legislature, the ROM opened its original buff-coloured brick and terracotta building, designed by Toronto-based architects Darling and Pearson, in Expansions followed in , , and The most recent, in , resulted in the Michael Lee-Chin Crystal designed by world-renowned architect Daniel Libeskind. In , the ROM was formally divided from the University of Toronto and became a separate entity under the provincial government.
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South Asian Outlook - An Independent Monthly
Untitled , more commonly referred to as The Blue Lady , —, is a carved teakwood , metal, and indigo sculpture by Mumbai -based artist Navjot Altaf. Notably, the sculpture is listed as one of the ROM's iconic treasures  and has been considered to be one of the most important pieces in the museum's collection of South Asian art. The sculpture was installed alongside other human figures, similar in their monumental scale and brilliant indigo color, in what was an almost theatre-like setting; together, the solid, confident female figures became iconic presences, whose insistent physicality worked to "subvert The sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art.
The man who would be English
Aficionados of Eastern art and culture have another reason to visit the Royal Ontario Museum in Toronto. The museum, known for its suite of Chinese, Korean and East Asian Galleries, has opened a permanent gallery dedicated to the art and culture of South Asia. The new gallery, the Christopher Ondaatje South Asian Gallery named for the Canadian investment broker and author who endowed the project , explores the geography, history, religions and artistic achievement of the Indian subcontinent. The first hall of the 2,square-foot gallery focuses on the shared heritage of the region, which includes modern-day India, Pakistan, Nepal, Bhutan, Bangladesh, Sri Lanka and the Maldive Islands.
Dark blue pinstripes, wavy grey hair, slightly tanned and aquiline face. He looks at first as though he might belong here: patrician, elegant, a conscious conservatism, the long, supple body of the highly bred Englishman. Patron of the arts: Christopher Ondaatje.